“Well, it’s rather brutal here. We’re advising all of our clients to invest all their resources into canned food and shotguns.” That bit of shrewd guidance comes from the Brain Gremlin – a lab-engineered, speaking, glasses-wearing member of the slimy Gremlin horde that overruns Manhattan’s high-tech Clamp Tower skyscraper in helmer Joe Dante’s zany follow-up Gremlins 2: The New Batch. On the surface, it’s merely an investment tip from one monster to another. However, curiously, it’s also remarkably sound life advice. Seriously, hear me out.
When life takes a turn for the worse, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin comprehends this. In fact, the majority of the fang-bearing creatures that populate Dante’s wild 1990 film (possibly his finest) possess the same sly, self-aware sense of humour regarding the hazy boundary separating the mundane and pure pandemonium. It’s a single component of Gremlins 2: The New Batch that ensures my return – and the older I get, it’s the underlying idea that strikes the deepest chord.
Of course, my fondness for this movie did not begin on such an philosophical plane. As a child, we only had a few well-worn videocassettes at home. Included within that collection were Gremlins and its sequel, the latter housed in a bulky previously-rented case probably bought from an non-chain rental store and featuring snarling creatures on its tattered front. I was instantly captivated and these films wasted no time inserting themselves inside my young, susceptible psyche. Henceforth, they became an almost-daily part of my early years entertainment regimen.
Dante’s original usually receives all the accolades, thanks mostly because of its legacy as a partly frightening holiday classic – and don’t get me wrong, I’ve watched Gremlins an incalculable number of times. Nevertheless, its follow-up rarely gets the same level of high regard, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d retreat into the house and play it. When I acquired my personal TV-VHS combo unit, it remained on repeat in my bedroom. With repetition, it ingrained itself in my mindset. If my parents observed this fixation, they gave no indication of concern.
As I matured, new revelations enhanced repeat viewings, elevating the fun of watching little green monsters gleefully trash a New York high-rise. I learned the future-focused development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by future president Donald Trump, with his red-headed employee Marla (Haviland Morris) alluding to his former spouse Marla Maples. Fortunately, Clamp possesses greater compassion than his genuine article inspiration.
The “doomsday” video Clamp plays during the height of creature carnage? I discovered it was modeled after a real-life “Doomsday” video commissioned by the CNN boss Ted Turner as a contingency for the world really ended. I noticed how Dante went out of his way to film alternate cuts of a self-aware scene where Gremlins seize control of the actual feature in progress. One for cinemas, one for VHS and TV, each delivering a smirking slice of fourth-wall-breaking cultural alchemy ahead of its time.
While it was effects expert Rick Baker’s gloriously nasty-looking creatures that drew my gaze as a child, this subsurface richness maintained my fascination as an adult. In time, I even interviewed Dante about it myself and he had no reservations telling me he made the movie with the direct intention of poking fun at those who loved its silly-yet-sincere predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This cartoonish rebelliousness and determination to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only made me love it even more.
When I experienced a abrupt familial death recently, I was surprised to find that, during my heightest mourning, all I wanted to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Possibly not. The comforting familiarity it offered was essential to thin out my mind’s grief morass – but the perspectives it had bestowed upon me as an adult were just as useful.
Like Gremlins tearing apart a genetics laboratory, there’s particular aspects in life you just can’t control. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: welcome the pandemonium, invest all your resources into preserved goods and firearms and try not to view the world with undue solemnity.
It’s powerful existential guidance from a highly unexpected fountain – and it’s the reason Gremlins 2: The New Batch will forever remain my feelgood film.
A seasoned casino analyst with over a decade of experience in gaming strategy and industry trends.