Last year, actor Jude Law stated he had no concerns about backlash for playing the Russian leader in a cinematic adaptation. This production, though, may align too neatly with the mythologized image circulated by Russian state media that, domestically, it functions as a endorsement rather than a challenge.
For years, the Russian political apparatus and the country's pop-culture machine have worked together to craft a made-to-measure persona of Putin. This character is a political superhero without age or mistakes, an ex-intelligence officer reimagined as a local 007 who always knows more than he reveals.
“In Russia, the constructed Putin has long eclipsed the real one.”
One recent example is a television show released last October, directed by a pro-government filmmaker. The protagonist is a invented blue-eyed lieutenant colonel selected by fate to “rescue” the nation from chaos. Although the character's name Mikhail, the implication is clear: the savior must be a known figure from the secret services.
Western portrayals often end up buttressing this same narrative rather than debunking it. An adaptation based on a popular book sets out to undermine the leader's mythology by framing him not as a cause but as a symptom, moving the narrative weight to the political machinery surrounding him.
In the film, the president is presented as having been chosen by powerful oligarchs to steady the country because he is “young, athletic and a spy”. They visit him and practically plead him to take the top job. His response is that he would prefer to rule from the background, desiring enduring influence.
This narrative is the Kremlin’s export myth: the detached, unwilling mastermind shaped by destiny. Historically, none of this ever happened.
No one actually pleaded with Putin to take the job. The presidency was in essence a selection process with many contenders. At the centre to the selection stood a powerful businessman from the previous administration who expected to run the state de facto.
“The goal wasn't a powerful leader, they needed someone malleable, someone who would obey orders.”
Analysts concur that the image of Putin as a master operative was built after the fact. Claims about his “recruitment work” in East Germany fall apart under examination. In essence, he handled paperwork and routine duties, a mid-level functionary not involved with field operations.
Curiously, the shift to depicting him as a “spy” may in part have been triggered by Daniel Craig’s debut as 007. His harder version prompted local outlets and social media to make comparisons with Putin. Mashup posters replacing the actor's likeness with his appeared on Moscow streets, fueling the increasing trend to frame him as a local secret agent.
Given the casting, an star popular with viewers there, the authorities are likely to seize the chance to portray this choice as a small victory. The film's omission of public dissent, the political rivals, or key figures in the story, despite covering recent years, is a welcome aspect for state propaganda.
In Russian cinema, the president is often an all-powerful presence who never appears on screen. He is signaled through portraits or calls “from above”. In this new film, he finally acquires a recognizable face—one that may inadvertently validate the exact legends it perhaps aims to examine.
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