In a candid conversation, the acclaimed performer delves on subjects as varied as her newest character as Queen of the Cuttlefish to the profound lessons gleaned from theatrical mistakes and meeting admirers.
The most recent role is the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Straight away, that particular fish found at a specific shoreline – since it is like an institution, and individuals visit to see it. I just think it’s cool that there’s a local fish that people actually seek out and discuss – it holds a unique status.
Which movie do you repeatedly watch, and why?
Ernst Lubitsch's 1942 film To Be Or Not To Be. I love this film. When I was growing up, it used to come on television occasionally, and one time I recorded it. I found it was hilarious. It’s the legendary Carole Lombard and comedian Jack Benny. Not long ago they were showing it at a cinema and I discovered that it was also the favourite film of a friend of mine, and so we went and simply chuckled repeatedly. It is a great piece of humor and all the actors in it are fantastic. Mel Brooks remade it in the 1980s – which was not as effective. But the original film is a brilliant comedy, worth viewing often.
What is the most valuable lesson you learned from someone a colleague?
Years ago I performed in A Doll’s House alongside Peter O’Brien – my husband now, but back then we were not together. We portrayed characters as scene partners and on opening night I tripped up – I jumped ahead some dialogue in the script. I was unaware what I’d done but I abruptly sensed things were off. I recall looking at him, and he expertly rescued the moment, and then our performance regained momentum and went really, really well. But I think the insight gained in that moment was, firstly, always trust the individuals in your scene. When you lose your place, if you turn around and toward the people sharing the stage with, you will find where you’re meant to be somehow. It is a profoundly communal thing, performing live. And secondly, to maintain a lighthearted attitude about it. Occasionally when something goes wrong, things can ignite in a really great way provided you are fully engaged then. It may become a gift when things go absolutely the wrong way.
Can you describe your most touching interaction with a fan?
There isn't just one particular interaction but when I meet fans of Lord of the Rings, particularly women, I am told numerous stories about how that character meant to them when they were younger … things that had happened in their lives and the extent to which Eowyn signified for them and was a form of support to them in those times.
What do you get asked about the most by Lord of the Rings fans?
The most detailed inquiry concerns invariably regarding the stew her character prepares for Aragorn. “Was the stew as terrible as it looked?” It’s become such a joke, the entire episode about the stew, and everyone wants to know what was in the stew, and how was it made, and do you think she’s a better cook now, or do you think she really is a poor chef? People are, I think, obsessed with the comedy of that scene. And I provide lengthy descriptions listing the components that constituted the concoction – as I recall what they did; like they even adding pieces of colored thread to make it look like bits of veins in the meat. They went to extreme measures to render it as bad as possible.
What was your most cringeworthy celebrity encounter?
I attended a pilates class and there was a woman lying down doing pilates, and the teacher said to me, “Hello Miranda, meet Miranda.” And I made some joke inquiring, “might you be a journalist?” Since Miranda is an uncommon moniker and often when someone’s a Miranda, they’re a journalist. I wasn’t really seeing who it was. And when she got up, it was the actress Miranda Richardson. At that point, I was at a loss for what to say. I still had to stay and do my class, and I experienced so embarrassed. I wished to explain: “Oh my gosh, I am aware of who you are!” I think she’s so fabulous and I was simply too awestruck to say anything.
It’s been confidently claimed that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet I’ve read you saying otherwise – can you clarify this once and for all?
Yes – I was christened for the Sydney suburb. My mother learned via broadcast that they were inaugurating a shopping centre at Miranda, and the name seemed a pleasant choice.
What’s the most chaotic thing that’s ever happened on set?
While working in Brazil on Reaching for the Moon I experienced the least organized set I’ve ever worked on, and yet the film turned out incredibly well. But the local crew operated in such a different way. Their concept of time there is unique. In Australia, you normally have a schedule and must arrive on set punctually. But this was sort of open ended – you come on set whenever you happen to be ready. It was a novel approach for me. The elements were being assembled at the final moment, and sometimes the plan was unclear where they were shooting or the methodology. And then you’d be in the middle of a scene and be like, “What was that noise that disturbed the scene? Ah, it was the producer opening a bottle on set, because he’s making a party.” The result was great, but wow, it’s a really different approach to film-making.
Do you have a secretly good at?
I’ve always been an aptitude for numbers. I memorise numbers more readily than I learn dialogue often, I simply have a numerically-oriented mind. So I think had I not ended up in acting, I likely might have entered a field something to do with numbers, like mathematics or finance.
What’s the best piece of advice you have ever received?
When I was in secondary school, a speaker addressed us when we were graduating and stated, “have no fear to fail” … which I think is the best piece of advice, because you learn far more from failure than is gained from success. Success, you never really comprehends precisely why it happened. With failure, you learn abundant.
A seasoned casino analyst with over a decade of experience in gaming strategy and industry trends.